Moonchild said - “I called this record FULL MOON to convey a really clear sense that I got from living and writing these experiences. Phases showcased all my sides, the different phases of the moon, and this one is all those parts of me being in unison with each other. When the moon is in phases, it shows parts of itself at a time. Full Moon is me, lit up in my entirety. The arrival of my whole self. It’s the arrival.”
She added - “FULL MOON is a culmination of everything that I needed to experience to get to this point, every emotion I had to feel, everything I went through… This project has it all, from beginning to end. The fights, the sadness, the getting back up, the letting go, the forgiveness, the acceptance. There’s a sense of mental and spiritual togetherness that comes with forgiveness and it makes you whole.
Moonchild kicked off her return in May with the release of first single and “audacious anthem” [CLASH] Scrambled Eggs, with two further singles Sweet & Savage - which premiered with an exclusive show for COLORSxSTUDIOS - and the “infectiously tongue-in-cheek hit’ [DIY] Big Booty lighting up the crowds at festivals across Europe, including ten shows at Glastonbury alone.
This summer also saw the release of Big Man, a collaboration with the acclaimed artist Self Esteem which was hailed a Song of the Summer 2024 by The Guardian, a track which saw the “alt-pop future superstars” team up for “a big, buoyant, ball-buster…”; as well as Mad (ft. Moonchild Sanelly) which saw her join creative forces with Steve Aoki, and most recently Streets Is Calling with Ezra Collective and M.anifest.