Discover the origin of the cult-favorite blue eye shadow look featured in David Lynch's Blue Velvet, and learn why it has become an iconic beauty trend.
Blue eye shadow is a bold and striking makeup choice that has been featured prominently in many cult films throughout the years. One of the earliest examples of this trend can be seen in David Lynch's 1986 film "Blue Velvet," in which the character Sandy (played by Laura Dern) wears bright blue eye shadow. This makeup choice is an important aspect of the film's stylized visual aesthetic, which is known for its dreamlike and surreal qualities. The blue eye shadow serves to enhance the otherworldly atmosphere of the film and adds to the sense of mystery and intrigue.
Another example of blue eye shadow in a cult film is Vincent Gallo's 1998 film "Buffalo '66." In this film, the character Layla (played by Christina Ricci) wears bold blue eye shadow throughout the film. This makeup choice is an important aspect of the film's overall aesthetic, as it contributes to the character's unique and distinctive style. The blue eye shadow serves to accentuate Layla's distinctive look and adds to the film's overall sense of quirkiness and eccentricity.
Other examples of blue eye shadow in cult films include "The Doom Generation" (1995), directed by Gregg Araki, in which the characters Amy (Rose McGowan) and Xavier (Jared Leto) wear blue eye shadow, "The Loveless" (1981) directed by Kathryn Bigelow, in which Willem Dafoe's character Vance wears blue eye shadow as well, and "The Hunger" (1983) directed by Tony Scott, in which Catherine Deneuve's character Miriam wears blue eye shadow.
In these films, blue eye shadow is used to create a sense of otherworldly, dreamlike, and surreal atmosphere that is often associated with cult films. It also serves to accentuate the unique and distinctive styles of the characters and add to the overall sense of quirkiness and eccentricity of the film.
Overall, blue eye shadow has become a popular and iconic makeup trend in cult films, and it continues to be used as a tool by filmmakers to enhance the visual aesthetics of their films and create a sense of otherworldliness and eccentricity.